
"Writing Warm-ups:
12 Ways to Jump-start Your Day"
By Shelly Meinhardt
In a candlelit garret, William Shakespeare spins in a circle,
rubs a quill between his hands, then spits over his shoulder before sitting down
to put plume to parchment.
That scene from 1998's Shakespeare in Love is played for
laughs, but in today's world of deadlines and day jobs, warm-up rituals are no
joke. A warm-up routine can help you banish distractions, loosen
"cold" creative muscles, and get down to the serious business of
putting words on pages.
I recently asked the most prolific writers I know—the members
of Romance Writers of America—to reveal how they jump-start their writing each
day. Here, they share 12 fresh ways to get beyond the "blank page"
stage as quickly as possible.
First, keep these pointers in mind:
Do create a routine. Become a creature of habit.
"I arise at 6 a.m., read the newspaper and take a short swim," says
Virginia Henley (The Border Hostage, Dell). "Once I've begun step
one of the ritual, I can't turn back, and therefore I turn on that computer
and start work at the same time every day." Take note: All of the New
York Times bestselling authors who responded to the survey stressed this
point.
Don't use e-mail or the Internet as a warm-up. Going
online is the fastest way to make your writing time vanish without a trace.
"I smack my hand when it tries to push the Outlook Express button first
thing," says Kathleen Eagle (Once Upon a Wedding, William Morrow).
Reward yourself with Net surfing at the end of your writing session, after
you've met your daily goal.
Do set a limit on warm-up time. A warm-up ritual is
meant to improve your productivity, not give you another excuse to
procrastinate. As you read the list below, circle two or three ideas that
appeal to you, then weave them into a daily routine that lasts about 10 to 20
minutes. If you find yourself overdoing it, set a timer.
1. Relocate. Take
your show on the road: Pack up your laptop and head for the nearest dining room,
coffee shop, park or beach. One New York Times bestselling author starts
every day far from her office. After waking up and making a quick pit stop,
"I hop right back under the covers with my laptop," says Susan
Elizabeth Phillips (Breathing Room, William Morrow). "I like to
write this way for about an hour before I go downstairs and tend to everything
else. Two hours later, when I finally get resettled in front of the computer, I
already have something to show for my day."
2. List. If you're
nagged by thoughts of errands to run and groceries to buy, banish your
distractions by jotting a quick to-do list. Put a star next to anything that
needs to be done today (just as soon as you're finished writing). Now set the
list aside and focus on your book.
3. Dictate. If you
find the "blank page" stage too daunting, turn off your computer and
dictate the rough draft of your scene into a tape recorder. Use a portable model
and jump-start your writing in the car, at your daughter's soccer game or
anywhere that's convenient.
4. Type. Put your
fingers on the keyboard and type whatever pops into your head: random phrases, a
description of the weather, the room where the scene takes place—anything that
will move you into the story. "I know I can delete these ramblings, and I
often do," says Victoria Hinshaw (The Fountainebleu Fan, Zebra
Regency). "I'm sometimes surprised, however, to find a new insight or even
a worthwhile sentence or two."
5. Plot. Take a
moment to think about what you want this scene to accomplish: Who are the focal
characters? What are their motivations? What conflicts will they encounter? What
action might take place? What's the emotional tone? How will this scene move the
story forward? Brainstorm 10 or 20 quick ideas and dive in.
6. Skim. "If I'm
stalled, I often go back and speed-read through the entire manuscript,"
says Robin Lee Hatcher (Firstborn, Tyndale House). "Major
procrastination usually indicates that I'm missing motivation for one of my
characters. This helps me find the answer."
7. Journey. If you're
a historical author, take a time-traveling journey into the era you're writing
about: Look at letters, diaries, prints or other material from the period. While
writing The Exiles (Zebra), Nita Abrams started her day by tracing her
characters' movements on a map of 1813 Vienna.
8. Spark. Decorate
your writing space with pictures that instantly spark your creativity. In her
"Poof, It's a Book!" workshop, Susan Wiggs (Passing Through
Paradise, Warner) suggests making a collage with clippings from magazines.
The collage for my current novel-in-progress features photos of Alaskan scenery,
a helicopter, Mel Gibson, a blonde in a slinky red dress and phrases like
"Strong & Beautiful."
9. Believe. Create a
folder filled with self-esteem boosters: inspiring quotes, praise from contest
judges or critique partners, award certificates—anything that helps you
believe in yourself and your talent. Spend a moment looking through it before
you start your day.
10. Relax. A few
minutes of guided relaxation can quiet your mind and awaken your creative
spirit. Step-by-step instruction is available on DVD or audio CD. Try "Yoga
Journal's Yoga Practice for Relaxation" (DVD) or "The Theta Meditation
System" by Dr. Jeffrey Thompson (CD), both available at Amazon.com, or
"Ten Minutes to Relax" by The Relaxation Company (CD, available at www.therelaxationcompany.com).
At the end of today's writing session, try one of these tips and
you'll find it easier to get started tomorrow:
11. Ask a question.
Before leaving the keyboard, ask yourself a question about tomorrow's scene:
What's the heroine feeling at this point? Or, How are they going to get out of
this alive? Write it down and sleep on it. Your subconscious might provide a
surprising answer.
12. Blaze a trail.
Type a few quick sentences to be continued. "I try to always end my workday
by beginning a new strand of action or adventure—just enough to draw me into
the next day's work with a bit more ease," says Ruth Ryan Langan, author of
more than 70 novels (His Father's Son, Silhouette).
Experiment
a bit until you find the warm-up that meets your needs. If any part of your
routine causes you trouble, change it. "What will motivate one writer may
not work for another," says Tina St. John (White Lion's Lady,
Ballantine). "It's important to look for the things that inspire you,
then use them shamelessly."Published in Writer's Digest's
Writer's Forum magazine, Winter 2005 © Shelly Meinhardt. All Rights
Reserved.
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